Hosted by Andreia Gibau, the first-ever ceremony will honor designers, models, beauty professionals and fashion media at Sony Hall in New York City.

By Top View TV Staff

Runway 7 is expanding its presence beyond the runway with the launch of the inaugural Runway 7 Fashion Awards.

The first-ever ceremony will take place Monday, September 14, 2026, at 7 p.m. at Sony Hall in New York City. Arriving immediately after Runway 7’s six-day New York Fashion Week season, the event will bring together designers, models, beauty professionals, photographers, performers, media leaders and other members of the global fashion community.

Andreia Gibau will host the invitation-only red-carpet gala, which will feature live entertainment, VIP hospitality and the announcement of the inaugural award recipients.

Recognizing the Entire Fashion Community

The Runway 7 Fashion Awards were created to celebrate the people responsible for shaping fashion both on and beyond the runway.

Honors will be presented across four principal fields: designers, hair and makeup, models and media. The complete awards program includes 19 subcategories representing the different creative disciplines that transform a designer’s vision into a complete fashion experience.

Designer categories will recognize achievements in emerging design, ready-to-wear, streetwear, swimwear, global heritage, sustainable and handmade fashion, eveningwear, womenswear, haute couture, custom design and bridal fashion.

Hair and makeup categories will celebrate professionals working across runway and editorial beauty. Modeling honors will recognize male and female talent, while media categories will spotlight fashion photographers and the image-makers documenting the industry’s most important moments.

“After 11 seasons of producing New York Fashion Week shows and working directly with designers, production teams and creative talent from around the world, we saw a clear opportunity to extend that work beyond the runway,” said Fanny Abreu, Director of Operations at Runway 7.

Abreu explained that the awards are intended to recognize the craftsmanship, discipline and creative vision that audiences do not always see during a fashion presentation.

Special Award Nominees Announced

Runway 7 has announced several nominees for special honors spanning fashion, medicine, performance, beauty and media.

Confirmed nominees include:

• Malan Breton — Excellence in Design Award
• Michael Cinco — Designer of the Year
• Fred Lublin — Medical Excellence & Innovation Award
• Karen Chan of Sparkle Collection — Best International Fashion Designer
• Matthew Dillon — Best Fashion Commentator Award
• Grace Mercedes — Best Hair & Makeup Director
• Izzy Lamberti — Best Onstage Performance

Malan Breton enters the ceremony with an internationally established career covering couture, luxury tailoring, film and theatrical presentation. His designs have been worn by prominent entertainers including Priyanka Chopra Jonas, Janelle Monáe, Billy Porter, Kylie Minogue and Raye.

Karen Chan will bring a different international perspective through Sparkle Collection. The Hong Kong designer is recognized for reinterpreting Chinese craftsmanship and traditional clothing through the lens of contemporary luxury.

Global Heritage and Sustainable Design Take Center Stage

The inaugural nominee field also highlights designers using fashion to tell stories about heritage, sustainability and personal reinvention.

Argentine artist Monica Casella creates zero-waste wearable art using discarded plastics and industrial materials. Through her Arte Retornable concept, Casella has taken an environmentally focused practice from Argentina to the New York runway.

Paraguayan designer Simon Villalba, nominated for Best Custom Designer, incorporates traditional embroidery, ñandutí lace and regional craftsmanship into contemporary custom designs. His international presence continued during New York Fashion Week in February 2026, when Miss USA 2025 Audrey Eckert walked the runway wearing one of his creations.

Bhawna Bangari’s BMatchy represents South Asian tradition and Indian craftsmanship through a modern fashion perspective. Jesse Lee Designs is recognized for architectural silhouettes, couture construction and a narrative-driven approach to wearable art.

Additional nominees include Paromita Ghosh, Amna Inam and Markos Pimentel, further expanding the awards’ representation of global heritage, couture and emerging talent.

Fashion Meets Medicine and Social Impact

The ceremony will also recognize contributions made outside traditional fashion categories.

Fred D. Lublin, M.D., is nominated for the Medical Excellence & Innovation Award. Lublin is the Saunders Family Professor of Neurology at the Icahn School of Medicine at Mount Sinai and Director of the Corinne Goldsmith Dickinson Center for Multiple Sclerosis.

A leading figure in multiple sclerosis research, Lublin was among the early American investigators involved in studies of interferon beta-1b. His research has contributed to the development and understanding of treatments that transformed modern care for people living with multiple sclerosis.

His nomination reflects Runway 7’s continued effort to connect fashion with health advocacy through Project Lab Coat.

The social-impact initiative has used runway presentations to increase awareness and raise funds for causes involving multiple sclerosis, Lyme disease and cancer. Through relationships with Mount Sinai, Global Lyme Alliance, Project Lyme and the Lymelight Foundation, Project Lab Coat has helped raise more than $200,000.

A New Chapter for Runway 7

The launch of the Fashion Awards follows Runway 7’s recognition on the 2025 Inc. 5000 list of America’s fastest-growing private companies.

After building an international platform for designers during New York Fashion Week, Runway 7 is now creating a separate stage to recognize the models, artists, photographers, medical professionals and other contributors whose work influences fashion and culture.

The inaugural ceremony will conclude Runway 7’s September programming with red-carpet arrivals, live entertainment and the announcement of its first award recipients.

The Runway 7 Fashion Awards will take place Monday, September 14, at 7 p.m. at Sony Hall in New York City. Tickets are available through Runway 7.

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The six-day event will bring 138 designers and brands from 20 countries and territories to Sony Hall, featuring fashion, culture, philanthropy and entertainment.

Runway 7 is returning to New York Fashion Week for its 11th season with an expansive Spring/Summer 2027 lineup.

Taking place September 8–13, 2026, at Sony Hall in New York City, the six-day event will feature 138 designers and brands representing 20 countries and territories. Collections will span ready-to-wear, streetwear, eveningwear, swimwear, couture, bridal fashion and accessories.

The season will open with Elysian’s fourth annual CatWalk FurBaby presentation and conclude with an exclusive finale from internationally recognized couture designer Malan Breton.

“Season 11 reflects how far the platform has evolved and the kind of global creative community we continue to build,” said Diane Vara, Director of Public Relations and Marketing at Runway 7. “This September brings together established names and emerging voices with distinct cultural perspectives, while creating space for fashion to intersect with philanthropy, advocacy and entertainment.”

Fashion With a Purpose

Runway 7 will begin its season on Tuesday, September 8, with CatWalk FurBaby, an invitation-only presentation combining fashion, animal advocacy and philanthropy.

Presented under the theme “Women Inspiring Women,” the event will bring together designers, public figures and animal rescue organizations to support animal welfare and adoption. Fashion industry pioneer Fern Mallis will be honored with the 2026 Lifetime Achievement Award, while journalist and television producer Charlii Sebunya will serve as Master of Ceremonies.

Featured designers will include Victor de Souza, Anne Fontaine, Marc Bouwer Studio, L’Agence x Cate Brown, D’Marsh Couture, Hot Girl Quilting, Mazarura, Bless by Bless, Halyna Shunevych, Any Old Iron and Magpies & Peacocks.

The focus on advocacy will continue Wednesday, September 9, with HIV Unwrapped, a private presentation centered on HIV research, lived experiences and community voices. The showcase will use fashion to challenge stigma and increase visibility.

Global Designers Take the Runway

On Thursday, September 10, CHICK New York will return with its bold, 1980s-inspired take on young-adult fashion. The schedule will also feature Veritée Hill, L’Esperance, Alejandro de los Reyes, Mr Crazy & Lady Sexy, Áurea Argentina, Dream Dress Bridal and Amaya Butrón.

Friday’s lineup will combine swimwear, formalwear, streetwear and celebrity-driven collaborations. Momma Boss Swim, SimAllure Boutique, Andre Soriano and Shop the Runway are among the brands scheduled to appear.

One of the evening’s biggest attractions will be RR22, a collaboration between Edition22 and Grammy-nominated artist and entrepreneur Rick Ross. The collection brings Ross’ influence across music, business and culture into street-luxury clothing, accessories and travel design.

Independent streetwear brand Rye Chasin will also appear, while Bugatti will extend its luxury identity beyond automobiles through travel and lifestyle products.

Project Lab Coat Brings Cancer Awareness to Fashion Week

Saturday, September 12, will feature children’s fashion, heritage-inspired designs and purpose-driven presentations.

Savvi Kids Couture Clothing, led by Dr. Tiara Marsh, will host a private children’s fashion show. BMatchy, The Seen Experience, Paroma Ala Mode, Melanie Parker International and Vaida will also present collections throughout the day.

At 7 p.m., Project Lab Coat will present Le Cœur en Scène, an immersive couture experience inspired by the theatrical elegance of European cabaret and dedicated to cancer awareness.

In partnership with the Prevent Cancer Foundation, designers will create individual lab coats representing different forms of cancer and the people affected by them. A cancer survivor participating through the Head and Neck Cancer Alliance will also walk in the presentation.

Project Lab Coat has raised more than $200,000 for health-related causes and has worked with organizations including Mount Sinai, Global Lyme Alliance, Project Lyme and the Lymelight Foundation.

Saturday’s program will conclude with presentations from CHICK New York, Randhawa Brands, Jesse Lee Designs, Tutel, Delphi Rive, Ren Haixi and Creators Inc., connecting traditional runway fashion with digital entertainment and creator culture.

Malan Breton to Close the Season

Runway 7’s six-day schedule will conclude Sunday, September 13, with international couture and culturally influenced fashion.

Anthony Rubio will bring his signature canine couture to Sony Hall, presenting dogs alongside models in coordinated high-fashion looks. Archie Brown will appear in two presentations featuring youth fashion, eveningwear and transformation gowns.

Additional Sunday designers will include Label Nimisha, Mina Concept, Genny Morgan, Priyal Doshi Couture, Nareeka Collection, Ana Kubu, ANTHM, Huneys, Reneé Masoomian, Stacey Martin Lifestyle and Hirun New York.

Malan Breton will close the season with an exclusive finale presentation. Known for couture, theatrical storytelling and tailoring influenced by London’s Savile Row tradition, Breton has dressed celebrities including Priyanka Chopra Jonas, Janelle Monáe, Billy Porter, Kylie Minogue and Raye.

Runway 7 Fashion Awards to Debut September 14

Following the runway presentations, Runway 7 will launch its inaugural Fashion Awards on Monday, September 14, at 7 p.m. at Sony Hall.

The ceremony will recognize achievements across fashion and the wider creative industry, including design, modeling, hair and makeup, media, performance and innovation.

Award categories will cover streetwear, ready-to-wear, womenswear, global heritage, swimwear, haute couture, sustainable fashion, bridalwear, accessories and emerging design.

Notable nominees include Simón Villalba, Jesse Lee, Paromita Ghosh, Amna Inam, Karen Chan and Markos Pimentel. Malan Breton will also participate in the inaugural celebration.

Runway 7 was recognized on the 2025 Inc. 5000 list of America’s fastest-growing private companies. Entering its 11th season, the platform continues expanding its international reach while bringing designers, media personalities, celebrities and creative professionals together during one of fashion’s biggest weeks.

For tickets and additional information, visit Runway 7 Fashion. Details about the inaugural awards ceremony are available at Runway 7 Fashion Awards.

The post Runway 7 Announces Global Spring/Summer 2027 Lineup for New York Fashion Week appeared first on Top View TV.

A Career Built on Range

FROM GRASSROOTS MARKETING TO STRATEGIC LEADERSHIP

Jammins Events has been a defining through line across Hinckson’s career. She began working with the company in 2005, executing grassroots and guerrilla marketing campaigns and managing box-office operations at its live events.

From T the Goddess to T the Phoenixx

Finding Her Voice on Morning Radio

Building Phoenixx Frequency Media

Creating Access for the Next Generation

A Legacy of Access, Ownership and Transformation

The post T the Phoenixx Is Turning Reinvention Into a Media Movement appeared first on Top View TV.

When Cammy GotBarz talks about her career, she doesn’t speak like someone waiting for an
opportunity. She speaks like someone creating.

Every verse, every performance, and every release has been another step toward building a name
on her own terms. There hasn’t been a major label to clear the path or a viral moment to define her
career. Instead, the Pennsylvania-born rapper has relied on consistency, confidence, and a belief
that her story is worth hearing. Those qualities have carried her from Augusta, Georgia, where she
was raised, to Fayetteville, North Carolina, where she’s continuing to grow as an independen

For Cammy, music has never been about creating a persona. It’s about documenting.

“I make music that blends confidence, real-life experiences, and raw lyricism,” she says. “Whether
it’s a record to make you feel empowered, turn up with your friends, or relate to something you’ve
been through, I want my music to leave an impression”

Long before audiences knew her as Cammy GotBarz, she was simply Cameo, a nickname
affectionately shortened to ‘Cammy’ by her grandfather. The second half of her stage name came
naturally after listeners kept pointing to one thing above everything else: her bars. Together, the
name represents both the person she is and the artist she’s worked to become.

Her songwriting begins the same way every time. A beat catches her attention. Then comes the
concept. From there, she focuses on writing lyrics that feel authentic while carefully shaping her
cadence and delivery so every verse has its own energy. It’s a process that reflects the versatility
she strives for in every record.

She credits Aaliyah, Missy Elliott, Young Dro, Lil Wayne, and Lauryn Hill for helping shape her
creativity, but she’s careful not to imitate anyone. Her goal is to create music that reflects every side
of who she is instead of fitting neatly into one sound.

If there’s one song that captures her outlook on life, it’s ‘Keep Goin.’ On the surface, the record
carries the energy of a club anthem. Underneath, it’s a personal reminder that perseverance
matters more than perfection.

“It’s more than just a song,” Cammy says. “It’s a mindset.”

Behind the music is another role that shapes her every day: motherhood. Like many independent
artists, Cammy balances recording sessions, performances, work, and raising her daughter. The
demands can be overwhelming, but she refuses to let them become excuses. Instead, they have
become motivation.

“My daughter is one of my biggest motivations,” she says. “She reminds me why I keep pushing.”

That perspective also explains why she considers betting on herself to be her greatest
accomplishment. Awards can wait. Streaming numbers will come. What matters most is knowing
she never stopped believing in her own vision.

Looking ahead, Cammy says fans can expect more music, more visuals, and bigger performances
as she continues expanding her brand. Her advice to aspiring artists is simple: invest in yourself,
stay consistent, and don’t wait for someone else’s approval before chasing your dream.

For Cammy GotBarz, success isn’t arriving all at once. It’s being built one song, one performance,
and one opportunity at a time. If her trajectory continues, she’s proving that one of the strongest
investments an artist can make is believing in themselves before the rest of the world catches up.

The post Cammy GotBarz Is Betting on Herself. So Far, It’s Paying Off appeared first on Top View TV.

Porcelain have become one of Austin’s most compelling post‑hardcore bands. This August, they finally carry that energy to the West Coast. The four‑piece will headline a week‑long run that brings their tense, guitar‑driven sound to rooms from Vancouver to Southern California. At the same time, they quietly prepare to unveil their second album, giving these shows extra weight.

The tour begins August 7 in Vancouver, British Columbia, and ends August 15 in Fullerton, California. Tickets are on sale now, offering fans along the route a first chance to see Porcelain’s live show outside Texas.

A long‑planned trip with new music in tow

For Porcelain, this tour has been in the works for years rather than thrown together overnight. The band say they have wanted to get west for a while and now have both the time and the songs to do it.

“We’ve been meaning to make it out to the west coast for a couple of years now, so it’s good to finally get to make that happen,” they share. “We’ve got a new record on the way, so we’re stoked to get back on the road and play to peeps who’ve yet to see us live.”

The quote makes their priorities clear. They want to reach new listeners and road‑test material from the forthcoming album in front of people who have only heard the recordings.

August dates: small rooms built for big volume

The West Coast routing favors intimate venues where loud, emotional music hits hardest. Each stop pairs Porcelain with a room known in its city’s underground scene.

Porcelain Live 2026

• August 7 – Vancouver, BC – The Pearl
• August 8 – Seattle, WA – Clock Out
• August 9 – Portland, OR – Polaris Hall
• August 11 – Sacramento, CA – Cafe Colonial
• August 12 – Oakland, CA – Thee Stork Club
• August 13 – Los Angeles, CA – Zebulon *
• August 14 – San Diego, CA – Whistle Stop *
• August 15 – Fullerton, CA – Programme Skate *

* with support from Guck

From The Pearl in Vancouver to Clock Out in Seattle and Polaris Hall in Portland, the first leg hits cities where DIY guitar music still thrives. The California stretch reaches Cafe Colonial and Thee Stork Club, then rolls into Zebulon, Whistle Stop, and Programme Skate. Those last three shows feature Guck as support, adding a local connection and keeping the bill dense and noisy.

Angular guitars, sharp dynamics

Porcelain’s sound leans hard on tension. The band draw from an array of ’80s and ’90s guitar influences, but they twist those ideas into jagged, modern shapes. Songs often begin with delicate, uneasy melodies. Then they pivot into sudden surges of distortion and feedback. The result is a set of tracks that never settle in one mood for long.

The lineup helps them achieve that range. Steve Pike and Ryan Fitzgibbon both handle vocals and guitar. Jordan Emmert plays bass. Eli Deit covers drums. Two voices and two guitars let the band flip quickly between melodic passages and harsh, overlapping shouts. Emmert and Deit lock in below, keeping the low end taut while the guitars carve out space above.

Roots in Austin’s DIY scene

Porcelain formed inside Austin’s busy DIY network. Members had crossed paths for years in different projects. Pike started looking for a new band after his previous group ended. Fitzgibbon returned from the UK in 2021. Emmert and Deit were already fixtures in the local community. A shared urge to push in a new direction brought them together.

They played their first show in May 2022. The studio releases followed soon after. The single “C.O.A.” arrived in 2023. “World I Know” came out in January 2024. “Plastic” followed a month later. Those tracks led directly into Porcelain, their self‑titled debut album, released February 16, 2024 via Portrayal of Guilt Records. The record runs like one continuous piece, with noise‑rock textures and post‑hardcore structures bleeding into each other rather than sitting in neat boxes.

A year on the road with heavy company

Once the album dropped, Porcelain spent much of the next year on tour. They joined runs with Chat Pile and Agriculture, meeting fans already tuned into dark, angular music. They also shared bills with a long list of revered bands, including Unwound, The Blood Brothers, Les Savy Fav, Portrayal of Guilt, Black Moth Super Rainbow, Machine Girl, Trauma Ray, Shallowater, Young Widows, Cherubs, Lightning Bolt, Big Business, Boris, Pygmy Lush, A Place to Bury Strangers, Clown Core, Lip Critic, and YHWH Nailgun.

Playing next to those names night after night sharpened the group’s live instincts. They learned how to hold attention in rooms where listeners expect intensity and risk. That experience now feeds directly into the West Coast tour.

Constant touring, steady recording

Porcelain kept that pace up through 2025. In spring, they toured with Young Widows and Cherubs, two bands whose noise‑rock legacy looms large. They then put out a 7‑inch via TODO Records. Later that year, they supported Pelican on a July tour, hitting select dates with Coalesce. To close the year, they opened for Unwound at the band’s lone Texas stop on the “30 Years of The Future of What” tour and played Levitation’s Halloween Freakend Festival, another key event within heavy music circles.

The first half of 2026 added still more names to their list of stage‑mates. Porcelain performed alongside Orchid, Uniform, and Touche Amore, keeping their calendar busy while also carving out studio time. During that stretch, they finished work on their second full‑length, which will be announced soon.

Why this tour marks a turning point

This August run is more than a simple set of dates on a calendar. It marks Porcelain’s move from regional favorite to a band willing to test itself in new scenes. West Coast listeners will hear songs from the debut that have already proven themselves live in Texas and beyond. They will also catch glimpses of the next record, played in small rooms where new material can still breathe and shift.

For Porcelain, the tour is another step in a steady climb. They started in Austin practice spaces, moved into DIY clubs, jumped onto bills with cult‑favorite heavy bands, and now point themselves toward a broader map. If the last few years are any guide, they will treat every show on this trip as a chance to tighten their sound further: more control over dynamics, more release in the loudest moments, and more proof that their brand of cathartic post‑hardcore can travel far beyond the Austin city limits.

The post Porcelain Take Their Austin Fury West With First Coast Tour appeared first on Top View TV.

Atlanta has never lacked star power, but Pluto feels like the kind of new voice that arrives already in motion. With her latest single “Tippy Toes,” the Motown‑signed rapper pushes her West Side bravado into sharper focus, delivering a summer record built to live in clubs, festivals, and timelines without losing the raw personality that got her here in the first place.

Dropped on June 19, 2026, “Tippy Toes” lands at a moment when Pluto’s name is already circulating across viral clips, tour bills, and industry watchlists. Rather than recalibrate or play it safe, she leans harder into the qualities that make her records hard to ignore: direct bars, a wicked sense of humor, and a hook that doubles as a chant.

Turning swagger into a sing‑along

“Tippy Toes” hits with the immediacy of a song you feel before you fully clock the words. Over booming production, Pluto snaps off lines that treat confidence as a given, not a pose. She raps about desire and control with the ease of someone who knows exactly how she wants to be seen, never pausing to apologize or explain.

At the center is a hook designed to lodge itself in your memory:

“Tippy, huh, tippy, uh huh, tippy / I’m trying to f** her on her tippy toes.”

It’s unfiltered and playful, the kind of refrain you can imagine echoing through a packed venue or looping under dance challenges. What could be shock value becomes something closer to a rallying cry; Pluto turns explicit language into a rhythm people can move with, keeping the focus on cadence and attitude rather than on any single word.

A poolside universe built on presence

The “Tippy Toes” video, directed by Rozay 4K, extends the song’s energy into a bright, controlled chaos. Shot around a pool, the visual frames Pluto as the gravitational center of a world where color, motion, and confidence collide. Women in vivid swimwear dance and vibe around her, but the camera keeps circling back to her performance.

The choreography feels loose and contagious rather than over‑rehearsed, underscoring the sense that this is a party first and a set second. Sunlight, water, and neon fabrics turn the frame into pure summer, while Pluto’s delivery anchors the clip, making it clear who owns the moment. It’s less about narrative than about establishing a mood: carefree, loud, and entirely in her control.

From bedroom freestyles to a Motown roster spot

Part of what makes “Tippy Toes” resonate is how clearly it sits within a larger story. Pluto grew up on Atlanta’s West Side, freestyling over YouTube beats as a teenager long before her name landed on industry spreadsheets. That hunger translated into a deal with Motown in March 2025, followed quickly by her debut album Both Ways in June and a deluxe edition in July.

Both Ways introduced her as a writer and performer who knows how to bend familiar reference points into new shapes. “Excuse Me” flipped Lil Wayne’s “6 Foot 7 Foot” into a sharper, more personal statement, while tracks like “Pull Yo Skirt Up” and “WHIM WHAMMIEE” showed how easily she can build hooks that feel custom‑made for crowd interaction. A remix of “WHIM WHAMMIEE” with Sexyy Red pushed that momentum into overdrive, helping her rack up tens of millions of streams, billions of TikTok views, and an audience that spans platforms from YouTube to Spotify.

Co‑signs, tours, and a place in “The New Atlanta”

As her numbers climbed, so did the list of names standing behind her. Pluto now counts Sexyy Red, Young Thug, Latto, and Lizzo among her co‑signs, reinforcement that her appeal cuts across rap’s many sub‑lanes. A run on Lil Baby’s WHAM Tour gave fans a chance to see how her records play out on big stages, and the answer was clear: the energy they feel online translates in person.

The industry has kept pace. Billboard tapped her as Rookie of the Month, while Spotify, Pandora, and Amazon all flagged her as an Artist to Watch for 2026. She wrapped her first headlining PLUTO WORLD Tour, then stepped onto larger platforms like the I Got My Tickets Spring Break Concert Festival, sharing bills with G Herbo, Kodak Black, and YFN Lucci.

Perhaps most telling is her role in Spotify’s documentary The New Atlanta, which spotlights four women reshaping the city’s rap narrative. There, Pluto isn’t framed as an outlier; she’s presented as part of a new center of gravity, one that insists Atlanta’s future will sound different because more women are holding the mic.

Why “Tippy Toes” feels like a checkpoint, not just a single

Seen inside this arc, “Tippy Toes” feels less like a spontaneous drop and more like a statement of where Pluto stands right now. The track distills her core strengths—fearlessness, humor, a sharp ear for hooks—into a tight package built for repeat listening. It sits naturally next to records like “WHIM WHAMMIEE” and “Excuse Me,” yet it pushes her further toward a bright, festival‑scale sound that still feels rooted in Atlanta’s club DNA.

Crucially, the single refuses to sand down the parts of her persona that might make some listeners blush. Pluto doesn’t soften the language or mute the sexuality; instead, she leans into both, turning them into rhythm and attitude rather than shock tactics. In a rap landscape where women still fight for space to be loud, explicit, and joyful on their own terms, “Tippy Toes” functions as both a flex and a line in the sand.

For Pluto, this is another step in a climb that already looks steep. For Atlanta rap, it’s one more reminder that the city’s next wave of stars will arrive with their own rulebooks—and that Pluto plans to write hers in all caps.

The post West Side Fire: Pluto’s “Tippy Toes” Extends Her Reign Over Atlanta Rap appeared first on Top View TV.

Major Lazer are back in high gear. In 2026, the Diplo‑led collective move like a global pop machine, and their new single “pAPi wiTH tOKisCha” captures that momentum. The track teams them with Dominican star Tokischa, blending her raw dembow energy with Major Lazer’s heavy bass and festival‑scale hooks.

Released June 24, 2026, the song lands during a busy year of performances, sports events, and festival dates. It feels built for main stages and desert nights, but it still carries the wild spirit of a small club show. That balance is what has always made Major Lazer stand out.

From a Miami lot to Ultra and Coachella

“pAPi wiTH tOKisCha” started as a live secret. Before the single hit streaming platforms, Major Lazer teased it at shows and pop‑ups around the world. One of the most memorable was a surprise set in an abandoned lot in Miami. Only around 200 fans made it there, but they watched the song grow in real time, from a new idea into a crowd‑shaking moment.

Tokischa soon moved from studio collaborator to live partner. She joined Major Lazer for the song’s first full performance at their headline set at Ultra. The track hit hard and immediately felt like part of the group’s core live arsenal. Later, she appeared on the main stage at Coachella, performing “pAPi wiTH tOKisCha” in front of more than 80,000 people. Those early performances turned the single into a talking point long before the official release.

Desert visions and pop‑up footage

After Coachella, the team headed deeper into the desert to shoot the official video. Directors Cambron Lyles and Alex Ferzan built a visual that mixes surreal desert scenes with real footage from the Miami pop‑up. Sand, bright lights, and fast cuts give the clip a dreamlike feel, while the crowd shots remind viewers that Major Lazer’s music starts on the ground, not just on the charts.

Tokischa and the group move through the landscape in vivid styling, surrounded by dancers and flashes of choreography. The video watches how the track travels—from speakers to bodies and from club energy to cinematic scale. It shows the link between Major Lazer’s small, chaotic shows and their huge festival sets.

A touring show built as a traveling party

The single arrives as Major Lazer return to full‑scale touring for the first time in seven years. In 2026, they have already lit up Governors Ball and Bonnaroo, bringing “pAPi wiTH tOKisCha” into sets packed with their biggest hits. The new show treats every date like a moving carnival.

Creative director Mike Carson leads the stage design and pacing. The result is a production that looks and feels like a giant party rather than a standard DJ set. Choreographers Sara Bivens and Calvit Hodge create routines for eight dancers, filling the stage with motion to match the beats. Lights, visuals, and movement push the energy to a level that fits arenas and large festival fields.

Major Lazer live dates

• June 26 – Garorock, Marmande, FR
• June 27 – Solidays, Paris, FR
• June 28 – Förbindelsehallen, Johanneshov, SE
• July 5 – Stern Grove Festival, San Francisco, CA
• July 9 – Starplex Pavilion, Dallas, TX
• July 30 – Sound‑Bar, Chicago, IL
• July 31 – Lollapalooza, Chicago, IL
• August 2 – Osheaga Music and Arts Festival, Montréal, QC
• August 15 – Bittersweet Festival, Poznań, PL
• August 18 – Rototom Sunsplash, Benicasim, ES
• August 21 – Pukkelpop Festival, Hasselt, BL
• August 22 – Lowlands Festival, Biddinghuizen, NL
• September 19 – iHeartRadio Music Festival, Las Vegas, NV

Each stop turns local fans into part of the broader Major Lazer universe.

Olympics, World Cup, and a global spotlight

This year is not just about festivals. Major Lazer also step onto some of the biggest stages in sports. Early in 2026, they played a centerpiece performance at the Closing Ceremony of the Milano Cortina Winter Olympics, bringing their sound and dance‑driven show to a worldwide TV audience.

They then moved into football’s global spotlight. With Nelly Furtado and Davido, the group created “No Place Like Home,” one of the official songs for the FIFA World Cup. Davido joined them at the World Cup Countdown Concert in Los Angeles, where they performed the track live as millions watched. For a project born in clubs and small venues, performing at both the Olympics and the World Cup in the same year marks a major step.

GYALGEBRA and a refreshed lineup

“pAPi wiTH tOKisCha” follows the 2025 mixtape GYALGEBRA, which opened a new chapter for Major Lazer. That project introduced America Foster, a London‑raised multi‑hyphenate, as the group’s latest member. Her verses power five tracks on the mixtape, adding a new voice to the mix alongside Diplo, Walshy Fire, and Ape Drums.

GYALGEBRA also pulled in a wide circle of collaborators. Iconic choreographer Parris Goebel, Toronto artist SadBoi, soca legend Bunji Garlin, and others helped push the music into new directions. The project showed that Major Lazer still treat dance music as a global language. “pAPi wiTH tOKisCha” carries that same spirit forward, tying Tokischa’s scene to the group’s long‑running mission.

A catalog that already changed pop

All of this builds on years of work. Major Lazer’s catalog holds some of the most defining songs of the streaming era. “Lean On” reshaped global pop and remains one of the most played tracks of all time. “Cold Water” reached four‑times Platinum, and “Light It Up” went double Platinum. Along the way, the group have teamed up with stars such as Beyoncé, J Balvin, WizKid, El Alfa, Burna Boy, Travis Scott, and Ariana Grande.

That history gives “pAPi wiTH tOKisCha” context. The single does not chase nostalgia or repeat old formulas. Instead, it uses the group’s strengths—big hooks, hybrid rhythms, and cross‑border features—to speak to now. Tokischa’s presence brings a sharper, dirtier edge, reflecting the current wave of Caribbean and Latin club music.

What “pAPi wiTH tOKisCha” means for Major Lazer now

Put together, the new single, the desert video, the tour, and the sports‑event performances show where Major Lazer sit in 2026. They work as more than a trio of producers. They move as a global live force, with dancers, visuals, and guests turning every set into an event.

“pAPi wiTH tOKisCha” sits at the heart of that story. Fans first heard it blasting from speakers in a Miami lot, then saw it explode on Ultra and Coachella stages, and now stream it alongside older hits. As the group crosses continents through festivals and televised events, this track sounds like the pulse of their current takeover: loud, borderless, and built for anyone ready to move.

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New York, NY – U.K.‑born R&B/pop artist Shehxna is in motion in every sense. Her new single “Body in Motion,” builds on growing international momentum and marks a brand new chapter in her career. The track blends smooth R&B melodies with a little pop, high‑energy sound.

The record was produced in New York by Luca Beats, Teeupzayy, and John C Majic. Together, they crafted polished production around a commanding hook: “You got my body in motion, it’s on me / there’s no limit baby take it full speed.” The song captures control, desire, and unapologetic confidence and is designed to move people both emotionally and physically.

A Defining Moment For Her Sound

With this release, Shehxna leans fully into who she is as an artist. She merges storytelling with a sort of self‑assured presence. that resonates across borders.

Building Global Momentum

Her momentum is not limited to streaming platforms. A recent Nike Air Max campaign placed her across billboards in New York City, with talks underway to bring her music into global campaigns. She has already taken over stages from the MVP Arena in New York to BBC Radio 1’s Big Weekend in the U.K., and she has performed at SXSW in Texas and recorded at London’s iconic Maida Vale Studios. Recognized as a Rising Star by BBC Asian Network and highlighted by outlets including HI Magazine Sri Lanka, she is fast becoming a standout voice who bridges cultures and sounds.

Her earlier releases, including “Jaded Love” and “Lover Girl” from her 4 Missed Calls EP, earned national U.K. airplay on BBC Radio, Kiss FM, and Capital FM and landed her on the GrammyU Winter Playlist with Grammy consideration. Those songs showcased her emotional depth and vulnerability. “Body in Motion” shows that same heart, but turned toward freedom, joy, and self‑belief.

Recognized as a Rising Star by BBC Asian Network and highlighted by HI Magazine Sri Lanka, she is fast becoming a standout voice who bridges cultures and sounds. Her story is rooted in risk and commitment. She has been singing her whole life, and at 18 she left everything to move to New York and chase music full‑time. That leap sits behind every record she makes.

After the release of the single, we spoke with Shehxna about the inspiration, the process, and what comes next.

Q&A: Inside “Body in Motion” With Shehxna

Q: What inspired you to create “Body in Motion”?

Shehxna: “Body in Motion” came from wanting to create a feeling. I wanted to make a record that captured that moment when you’re fully present and letting go of everything else around you.

Q: What does this song represent in your current chapter as an artist?

Shehxna: This song represents freedom and confidence. I feel like I’m entering a new chapter where I’m becoming more comfortable with who I am as an artist and not being afraid to explore different sides of myself.

Q: How does “Body in Motion” differ from your previous releases?

Shehxna: A lot of my previous music has been centered around heartbreak, love, and storytelling from a more vulnerable place. “Body in Motion” still has that emotional honesty, but it’s more about enjoying the present and embracing yourself. It’s a feel‑good record that allows people to experience a different energy from me.

Q: Can you walk us through the creative process behind the record?

Shehxna: The process was really organic. The song started with the feeling we wanted to create—something soulful, relatable, and something people could move to. Working with Luca Beats, Teeupzayy, and John C. Majic was a dream because everyone brought a different perspective and helped shape the record. We built the song around the idea of creating a space where people could feel free and confident.

Q: Is there a lyric or message in the song that holds special meaning to you?

Shehxna: One of the biggest things for me is the overall message of letting yourself feel good and be present. I think as artists, and honestly just as people, we can put so much pressure on ourselves that we forget to enjoy the journey. This song reminds me to celebrate where I am right now.

Q: What emotions were you hoping listeners would experience when hearing the track?

Shehxna: I want people to feel confident, happy, and free. Whether you’re listening while getting ready, driving, going out with friends, or just having a moment by yourself, I want the song to make you feel like you can step into your own energy and be yourself.

Q: What was it like working with Luca Beats, Teeupzayy, and John C. Majic?

Shehxna: It was such a special experience. They each brought something unique to the record, from the production choices to the energy in the room. They understood the vision and helped create a sound that felt authentic to me while also pushing me creatively. I love working with people who aren’t just making a song, but are helping build a feeling.

Q: What do you think fans will be most surprised by when they hear “Body in Motion”?

Shehxna: I think people will be surprised by the energy and the confidence of the record. My audience knows me for emotional storytelling, so this is a chance for them to see another side of me.

Q: If someone is discovering your music for the first time through this song, what do you hope they learn about you as an artist?
Shehxna: I want people to know my journey and story as an artist. I’ve been singing my whole life and at 18 decided to leave everything and move to New York to chase my dream as an artist. There is so much story and emotion behind all my music and I want people to know me for my grind and how I even got to making music.

Q: What’s next for you following the release of “Body in Motion”?

Shehxna: I’m continuing to build and share more of my world as an artist. There’s a lot more music coming, more performances, and more opportunities to connect with people. “Body in Motion” is just one piece of this next chapter, and I’m excited for people to see where I take it.

With “Body in Motion,” Shehxna proves she is not just arriving but leveling up. The single captures where she is right now, confident, focused, and unafraid to take risks, while also hinting at how much more is still to come. As her story stretches from her roots in the United Kingdom to New York billboards and global stages, this record feels like a powerful preview of the era she is about to step into.

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The BET Awards have always been more than a trophy show. They are a snapshot of Black culture in real time—music, film, television, sports, and fashion under one roof. In 2026, that idea felt stronger than ever. The ceremony returned to the Peacock Theater in Los Angeles and delivered a mix of big performances, emotional tributes, and headline‑making wins that kept fans talking long after the credits rolled.

Hosted by comedian Druski, this year’s show balanced jokes and heart. His style kept the room loose, yet never undercut the weight of the stories being told onstage. Between segments, he moved easily from sharp one‑liners to warm shoutouts, helping the night feel like a giant, slightly chaotic family gathering rather than a stiff awards telecast.

A stage built to celebrate Black excellence

From the opening frames, the BET Awards leaned into its role as “Culture’s Biggest Night.” Artists and actors arrived to a packed red carpet, with cameras focused not just on who was there, but on how they chose to show up. Every look felt intentional. Some guests went classic and glamorous. Others used fashion to make statements, show personality, or nod to past eras in Black music and film.

Inside the theater, the production pushed for scale without losing intimacy. Lighting, staging, and video screens shifted across performances, giving each act a distinct mood. The show’s pacing kept momentum high: short speeches, tight transitions, and the steady drumbeat of new winners helped viewers stay locked in from start to finish.

Wins that show where the culture is now

The awards themselves told a story about where Black entertainment stands in 2026. In music, heavy hitters and rising voices shared the spotlight. Cardi B took home Best Female Hip Hop Artist, underscoring how she continues to shape mainstream rap with both chart success and cultural impact. R&B and alternative acts also landed major trophies, reflecting a scene where genre lines blur and emotional honesty matters as much as vocal runs.

Breakout talent got its shine as well. Emerging artists stepped onto the stage as nominees and winners, showing that BET is still committed to finding and lifting up new voices. For your media site, these categories are key traffic drivers—fans often search for “BET Awards winners” and “Best New Artist BET Awards” in the hours and days after the show, looking to see who the industry is backing.

Lauryn Hill’s legacy moment

One of the night’s most powerful sections came when Lauryn Hill received a career honor. The tribute framed her as more than a nostalgia act. It recognized her as a central architect of modern hip hop and soul. Performances of her songs and testimonials from artists who grew up on her work painted a picture of a legacy that is still active, not frozen in the past.

For readers, this kind of segment taps into emotion and history. It invites long‑time fans to remember when they first heard her records and offers younger audiences a chance to connect the dots between today’s music and the albums that shaped it. On your site, leaning into this moment with pull‑quotes and context about Hill’s impact can keep engagement high, especially on social.

Performances that kept the energy high

Performances have always been the heartbeat of the BET Awards, and 2026 kept that tradition intact. Established artists used the show to debut new material or bring familiar hits back with fresh arrangements. Some sets felt like mini concerts. Others played more like intimate confessionals, with stripped‑down instrumentation and closer camera work.

Several rising acts treated their time onstage as a statement of arrival. They brought careful choreography, sharp live bands, and visual concepts designed to stick in viewers’ minds. For fans who might not follow every new release, these performances served as a quick education: this is who you should be watching next.

If you want strong traffic from performance coverage, consider breaking out short companion posts or clips for each set—“Best BET Awards Performances 2026,” “Top 5 Moments From the BET Awards Stage,” and similar headlines tend to attract search and social interest.

Fashion as a second stage

The red carpet is now as important as the main show, and the 2026 BET Awards proved that again. Artists, actors, and influencers arrived in looks that ranged from high couture to street‑ready fits. Some outfits paid tribute to classic Black style icons. Others pushed into new territory with bold silhouettes, unexpected color choices, or creative tailoring.

Coverage that treats fashion as storytelling can do very well with your audience. Instead of simply listing “best dressed,” you can frame style as another way performers express identity—how one artist chose vintage‑inspired glam to honor earlier generations, while another leaned into futuristic design to match the sound of their music. Short galleries, “hits and misses” lists, and breakdowns of specific standout looks are all strong options to drive page views and shares.

Why the BET Awards still matter in 2026

After more than two decades, some awards shows struggle to stay relevant. The BET Awards continue to matter because they keep their focus clear: celebrate Black creativity on its own terms. The show does not avoid hard topics, but it also refuses to let pain be the only story. In 2026, joy, humor, critique, and gratitude all shared the stage.

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On “Luh Mo’ Love,” rising artist EJ Jones delivers more than a memorable single. He presents love as a source of healing, resilience, and connection in a world that often feels divided. Released on June 19, 2026, through Quality Control Music, the song and accompanying visual draw from the tradition of socially conscious soul music that helped define artists like Marvin Gaye, while introducing Jones as a fresh and distinctive voice. Driven by a smooth mid-tempo groove, the record highlights his talents as both a songwriter and producer, pairing heartfelt lyrics with infectious melodies that invite listeners to reflect, relate, and sing along.

From its opening moments, “Luh Mo’ Love” emerges as a heartfelt reflection on the state of human connection in a world often marked by division and uncertainty. Rather than escaping reality, EJ Jones confronts it head-on, encouraging listeners to lower their emotional walls and embrace genuine vulnerability. Through lyrics such as, “Listen, you find a good love you got to keep it / Tell me why we gotta act hard, like we don’t need it,” Jones challenges the notion that strength requires emotional distance. Instead, he makes a compelling case for love as a source of healing, reminding listeners that authentic connection remains one of life’s greatest necessities.

A personal history turned into public testimony

Jones’s insistence on love carries extra weight when you consider the verses where he sketches his own biography. “I lost my mama to the streets / I lost my daddy to the streets… I got every reason to be mad at the whole world,” he admits, folding years of pain into a few unflinching lines. In another context, that history might lead to a hardened persona or a revenge fantasy. Here, it becomes proof that embracing love is a choice, not a given.

Instead of indulging in bitterness, Jones pushes against it. He asks listeners to resist the “temptations of hate” and to choose connection and empathy instead. The phrasing recalls classic protest soul, yet the delivery feels contemporary, steeped in the vocabulary of everyday struggle. As a result, “Luh Mo’ Love” lands somewhere between hymn and street‑corner confession.

A visual language of choice, faith, and community

The music video for “Luh Mo’ Love” expands the song’s themes into a stark visual metaphor. Jones moves through a dangerous, black‑and‑white world where people face a series of hateful choices, each framed as a crossroads. This monochrome space represents what happens when fear and anger go unchecked: the frame narrows, color drains away, and violence becomes the default.

Then, the video shifts. A second world appears, this time infused with color, faith, and resilience—an explicit nod to Jones’s church upbringing. In that version of the neighborhood, community members organize a block party; music, dancing, and shared joy take the place of confrontation. Jones doesn’t romanticize the setting, but he suggests that collective celebration is itself an act of resistance. The contrast between the two worlds drives home the song’s central thesis: given a choice between hate and love, you can decide which one shapes your environment.

From viral covers to Quality Control Music

“Luh Mo’ Love” arrives at what the press materials describe as “the peak of a sharp ascent,” and the timeline backs that up. Last year, Jones shared a viral cover of Sam Cooke’s “A Change Is Gonna Come,” a performance that caught the attention of Quality Control Music co‑founder Kevin “Coach K” Lee and ultimately led to his signing with the label. Soon after, a widely shared rendition of Bobby Caldwell’s “What You Won’t Do for Love” and standout appearances on From the Block and Cadillac Chronicles solidified his reputation as a musician’s musician with broad appeal.

Those early moments showed that Jones could inhabit canonical material without flattening it. He treated Cooke and Caldwell as starting points rather than safe covers, pushing his voice into spaces where vulnerability and virtuosity intersect. In turn, the label recognized the possibility of building a modern soul career around a singer whose instincts lean toward purpose, not just polish.

“Gas Station Love” and a breakout year

The foundation laid by those covers set up a breakout run that culminated in Jones’s 2025 single “Gas Station Love.” The track crossed 30 million streams, a striking number for an emerging artist working in a lane that often lives just outside the mainstream. A remix with multi‑platinum rapper BigxthaPlug pushed the song even further, while the single broke into the top 15 of Billboard’s Hot R&B Songs, Adult R&B Airplay, and Rhythmic Airplay charts.

Industry recognition followed. Jones earned spots on Billboard, Complex, and Pandora Artists to Watch lists for 2026, and YouTube named him a Trending Artist on the Rise. On the live circuit, he translated that momentum into a slot on the Blues Is Alright Tour in spring 2026, holding his own alongside established soul names like King George, Tucka, and Lenny Williams. Across platforms, his social following has now surged past one million.

Together, these milestones frame “Luh Mo’ Love” not as an isolated statement but as part of a deliberate narrative: an artist with deep roots in classic soul, moving steadily toward a larger stage.

“The Chosen Child” and the next chapter of modern soul

As Jones finishes work on his first full project, the press notes describe the 23‑year‑old as “The Chosen Child,” a phrase that captures both the weight of expectation and the sense of destiny that surrounds his story. He grew up steeped in Memphis’s rich soul traditions, and that heritage is audible in his spirited vocals and the emotional directness of his writing.

“Luh Mo’ Love” takes that legacy and points it forward. Rather than mimic the past, Jones uses familiar building blocks—church‑bred melisma, conversational lyricism, and groove‑driven instrumentation—to advance what the release calls a classic American sound for a new generation. In doing so, he joins a small but growing cohort of artists who treat soul not as a nostalgia vehicle but as a living language for talking about grief, survival, and community.

For listeners, the entry point is simple: start with the single, then let the video tell the rest of the story. For the soul genre, “Luh Mo’ Love” hints at a future where chart success and moral urgency can share the same space.

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